[quote] GL combated GH bringing back Luke and Laura in 1993 by hiring Marcy Walker as Tangerine Hill. No. Just....no.
Years later in an interview Marcy Walker said she was used by her then-good friend Jill Farren Phelps to save her job (they had previously worked together on Santa Barbara) - with Luke and Laura coming back on GH - Proctor and Gamble (and CBS) wanted to know what Phelps was going to do to compete - if she didn't anything to offer they would find someone who could.
That is when Jill Farren Phelps convinced Marcy Walker to move cross country and join Guiding Light, making all sorts of promises. This saving her job in the short term
She told TV Guide afterwards
TV Guide - After that whole Guiding Light mess, how could you possibly work for Jill Farren Phelps if she took over AMC? Do you feel...?
[She interrupts.] A sense of fear.
I was going to say, do you feel what happened at GL could happen here? Over there you were new; at AMC you're firmly established. You are one of the ones who drives this show. It's hard to imagine that it could happen again. Now, feel free to be very careful how you respond to this: Your no-character, no-storyline situation at GL could have changed in a heartbeat if JFP had wanted it to change. She could have very easily ordered that you be moved to the front burner. The whole thing seemed very personal. It was never going to be [front burner], and I knew that soon after I got there. I was a ticket. A tactic of negotiation. I was a game piece.
TV Guide - How so? So JFP could get A Martinez?
No, [so JFP could get] a new contract. "I'll bring this gun in and it'll change everything around."
TV Guide - I see. In other words, bringing in a superstar like you would help fix what was wrong with the show at the time.
But you know what? I'm not foolish to believe that there's only one person who does that -- everybody does it [in this business]. So I don't want to blame her for that, but I think that it was unfortunate that it was never remedied. When I heard that she might be coming here... I still have the greatest respect for her because I think she is one of the best, if not the best line producers I've ever worked with. In terms of a line producer capacity, she's brilliant.
TV Guide - Yeah, but you can damn well bet that if she came to this show, it wouldn't be as a line producer. She'd be the big cheese. The exec producer, baby!
I don't know even to this day what exactly the description of an executive producer is, but I know when I feel like somebody does it well.
TV Guide - Back to my earlier question, isn't the GL situation less likely to happen at AMC because of what you've established? You're really entrenched here -- not just for the last two years but historically.
Some people's tactic is that they can't work with what's on the canvas. So I can only hope that if things do change here and somebody [new] does come in, maybe, like you said, I have rooted myself so much that they can put me down a different path and I'll still be who I am. Maybe I won't be mutilated to the point where I would become a nothing. Liza is too strong to become a nothing. And it certainly would be very obvious if that started to happen. During these two years at AMC, I've been given the chance to do what I've wanted to do all along, to work. I don't have to be tap dancing out in front all by myself. I just want to do good work with talented people. But if that changed because of any shift that happened here [she chooses her words carefully]... I would just be traumatized. It would be the thing that would make me extremely sad and angry. It would be the thing that would drive me from this medium.