Call Me By Your Name’s collapse is almost complete (Part 19)

Not a masterpiece. Not.

geezz, ya negative thing:::so infatuated with it u have to post a thread about it....stirred tha feelings in ya huh..

yes, it was most impressive movie of the year.

Find another gay art film of the heart that was nominated for so many awards world wide....

its beauty is unassailable.

whatever, it was georgous to look at.

Made me feel.....good.

That other gay movie is not going to the Oscars. At all.

"Brokeback Mountain" was a masterpiece.

Hammer was wooden. Chalamet looked too young. And the filem was slow as molasses.

film

CMBYN is beautiful. Sorry to the naysayers.

You're a fucking idiot, OP. Him being in a tux on the cover has zero to do with the Oscars or his hope to be nominated.

What a vile fuck you are.

[quote]"Brokeback Mountain" was a masterpiece

Brokeback Mountain bored me silly. I didn't care at all that it lost out at the Oscars. CMBYN is pretty boring, too, but at least it's beautiful to look at. The worst, though, is an awful Brit film called "God's Own Country" which might as well be in a different language, and is dull and dreary.

r10 is a piece of shit, obviously. stick to your phone and pretend you're a human being.

So, how long until this thread gets flamed by the God's Own Country freak?

It would be great if there was a sequel to CMBYN where Elio and Oliver compete for the love of a younger male.

R13 I agree that there should be a certain amount of tension between Oliver and Elio when they reunite but I don't like the competition thing. I think it would be more interesting if Elio is happily partnered and Oliver is still married but not happily. Oliver is envious and jealous that Elio is leading the life he desires, and Elio is stuck in conflict over the power of first love and his present life.

R13 and who would actor be that portrayed this love interest?

I know Luca once mentioned something about Elio maybe going after a younger guy in the sequel.

which actor would you select R16?

New Armie thread.

R16 when did Luca say that? I only remember he mentioned Marzia and Elio having a son, that's all. R18 Thank you!

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

This movie is a travesty and so inferior to [italic]God's Own Country[/italic], it's offensive.

To the God's Own Country Flamer....get a life or kill yourself. No one will miss you

Again, here's the new Armie thread.

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

No fucking more. Boycott the AMPAS and demand that they give CMBYN's stolen Oscar noms to GOC. Boycott! Boycott! Boycott!

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

The same defenses of CMBYN could be used to defend Kevin Spacey hitting on Anthony Rapp.

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

Who legalized homosexuality and gay marriage first? England!

Who was on the side of the Nazis? England!

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

If you're not as angry as I am at the active attempts to keep [italic]God's Own Country[/italic] from getting the nominations it fucking deserves, and if you're not actively campaigning for the film to get the nominations it deserves and the theatrical exposure it needs, then you're part of the problem.

Loving movies means advocating for them and everything about them. Italy's war crimes are too horrific to ever be forgiven, and to honor an Italian director for drudging up offensive stereotypes about gays and Jews in the midst of a wide-ranging sexual harassment scandal over an English director who made a beautiful film about a consenting adult gay male relationship makes you complicit in their crimes against humanity.

Defending CMBYN is like defending Scott Baio.

Again, here's the new Armie thread.

ok seriously how do we report this fucker.

OP is a homophobe and the use of the Q-word to call this glorified Nazi pedo propaganda a masterpiece is proof positive.

Just say gay and just admit [italic]God's Own Country[/italic] is not just better, but the only one of these two that is actually good.

OP is a homophobe and the use of the Q-word to call this glorified Nazi pedo propaganda a masterpiece is proof positive.

Just say gay and just admit [italic]God's Own Country[/italic] is not just better, but the only one of these two that is actually good.

OP is a homophobe and the use of the Q-word to call this glorified Nazi pedo propaganda a masterpiece is proof positive.

Just say gay and just admit [italic]God's Own Country[/italic] is not just better, but the only one of these two that is actually good.

OP is a homophobe and the use of the Q-word to call this glorified Nazi pedo propaganda a masterpiece is proof positive.

Just say gay and just admit [italic]God's Own Country[/italic] is not just better, but the only one of these two that is actually good.

R139 to get rid of him hit the FF button (second last one) if it's hit enough times DL will block the IP address.

Again, here's the new Armie thread.

There are a lot of young actors who could play that role. That's why it would be a good franchise, with a different one in every movie.

Timmy thread.

"Brokeback Mountain" ate sheep balls.

A bit of a non sequitur, but here's a video "recap" of another gorgeous coming of age film set in Italy: Stealing Beauty from 1996... with the stunning Liv Tyler in a breakout role. Although she's not at the same level as Timmy as an actor and her film career never went that far, she's certainly his female equal in terms of beauty.

The video is set to the lush sounds of George Michael's "Cowboys & Angels".

The guy at the 1:50 mark is the more arrogant and aggressive of two local brothers that Liv initially thinks she's in love with and wants to lose her virginity to.

But ultimately, she falls for the more sensitive "Elio-like" brother at 4:57 and they both lose their virginity together after a romantic afternoon in the Tuscan countryside.

the only reason someone would hate on such a masterpiece is that they are a failure and have never

KNOWN THE LORD.

WOKE!!!!

(most georgous sensual movie of the last one hundred years.....)

WOKE!!!!!

Had forgotten how gorgeous Liv was then R149... watch at the 3:00 mark of that video you linked, her face is perfection.

And she still looks great all these years later.

alas, she dont look like dat in person...w/o photoshop

Hmmm... well I saw her at Cookshop a few weeks ago and she pretty much looked like she does in her Instagram account photos. I wouldn't think the majority of those pics have been photoshopped.

Anyway, back to CMBYN. Maybe I'll start a Liv thread.

Just peachy