[quote]Some plot points are super far-fetched. Major points and minor points. A minor one? Why has the Jackal left his home office completely unconvincingly set-decorated with nothing whatsoever in his desk? I'm too lazy to go back but also, didn't he have a safe house elsewhere where he kept all his stuff? Why is it all again in his home "safe room"? Maybe I am mistaken on that point.
R51, buying the premise for this entire show requires accepting the impossible, namely that a sniper can successfully assassinate someone – via a direct hit to the middle of the forehead – at a distance of over 3,800 meters. (And with only one shot.) Or that it's possible to build a rifle with that type of range, period, let alone one without a solid barrel.
Still, I agree that it's both odd and contrived that the writers would have his "secret lair" hidden inside a new-build house. Cadiz isn't exactly a remote area, so I see no reason why it was in any way necessary to set it up inside his own house (and in his own closet, no less). The Jackal seems like a minimalist, so I didn't think it was odd that his desk drawers were empty, but OTOH that also seemed like a plot contrivance: after discovering literally nothing in his desk, that's when Nuria and her brothers started getting suspicious about the *lack* of personal effects in it (and then found his secret hideaway).
Just as curiously, the Jackal obviously anticipated the possibility, given that he had the entire closet & hidden room covered with cameras, and knew immediately when they'd discovered it (thus prompting his pivot to "working in corporate espionage" to explain his disguises). Left unexplained is the Batman Clause: how the fuck did he manage to build a secret hideaway with literally no one figuring it out at some point? (meaning the builders) I know they cover the topic of whether anyone in their "game" can successfully have a family alongside a secret life, but still. (Plus he did so in his wife's native country, and presumably with her as a Cadiz native? Seriously?)
Also, they seem to be writing the Jackal as at least *human*, as opposed to a one-note, sociopathic killing machine. He's shown screwing up repeatedly (being spotted by his wife before leaving town was a flat-out amateur move), and also acting in ways out of character versus the original versions: returning to Munich solely to kill the son of the chancellor who stiffed him on his fee was hugely reckless. And they're doing the same for Bianca: she's a truly terrible mother who nearly tortures a man in her daughter's bedroom – after being careless enough to let them figure out her location in the first place – who becomes excessively obsessed with catching the man who made an impossible assassination shot. (I'm unclear why a show starring British actors, and set in large part in the UK, Spain & Germany, takes excursions to both Estonia and Belarus.)
OTOH it's DEFINITELY better than any of the "meet cute with an insanely hot female agent and the dimwitted himbo assigned to be her love interest" shows & movies: "Ghosted," "The Union," "Heart of Stone," etc.