Hello and thank you for being a DL contributor. We are changing the login scheme for contributors for simpler login and to better support using multiple devices. Please click here to update your account with a username and password.

Hello. Some features on this site require registration. Please click here to register for free.

Hello and thank you for registering. Please complete the process by verifying your email address. If you can't find the email you can resend it here.

Hello. Some features on this site require a subscription. Please click here to get full access and no ads for $1.99 or less per month.

"Silent Night, Bloody Night" (1972)

It's a cold and foggy December night, so I decided to give this oldie a viewing. Directed by Theodore Gershuny and starring his then-wife Mary Woronov, it focuses on a series of murders occurring in a New England town on Christmas Eve after a man inherits a family estate that was once an insane asylum. John Carradine and Patrick O'Neal co-star. It's moody, ominous, and genuinely suspenseful; there are even moments that seem to be the basis for elements of "Black Christmas", which was released two years later. It also has the unique distinction of being the only Christmas horror film to feature both an incest subplot and an array of Warhol superstars appearing in a disturbing sepia-toned flashback sequence.

Offsite Link
by Anonymousreply 2December 9, 2023 7:50 AM

Gasp

by Anonymousreply 1December 9, 2023 7:13 AM

This pretty much sums it up:

Despite a few creepy flourishes and the presence of horror-cinema icon John Carradine in a minor role, Silent Night, Bloody Night is more like a lump of coal than a brightly wrapped Christmas present. Not to be confused with the slasher flick Silent Night, Deadly Night (1984), which sparked controversy by featuring a murderer in a Santa Claus costume, Silent Night, Bloody Night is a discombobulated piece about tragedies occurring in a Massachusetts home that once served as an insane asylum. (The title refers to a Christmas Eve murder spree.) Clearly cobbled together during editing from scattershot footage, the picture uses the weak framing device of Diane Adams (Mary Woronov) moping around the central location while delivering somber voiceover about past events, thus triggering extensive flashbacks.

by Anonymousreply 2December 9, 2023 7:50 AM
Loading
Need more help? Click Here.

Yes indeed, we too use "cookies." Take a look at our privacy/terms or if you just want to see the damn site without all this bureaucratic nonsense, click ACCEPT. Otherwise, you'll just have to find some other site for your pointless bitchery needs.

×

Become a contributor - post when you want with no ads!