“This is the first time I’ve been honest about her, and this is the last time I want to talk about it.”
Greyson Chance and I are sitting in the Hollywood Hills home of producer Brett McLaughlin on a warm August morning. The quaint spot is where Chance — the 25-year-old musician who got his start on The Ellen Show as a tween — stays when he visits L.A. from Oklahoma, where he owns a home. The place is typically filled with the boisterous energy of the artists McLaughlin works with. (RuPaul’s Drag Race’s Ginger Minj was recording a song here the other day. “‘Give me more cunt!’” Chance remembers, with a chuckle, hearing from McLaughlin’s studio.)
But today, the room is still, filled only with the palpable nervous energy of a musician unsure of how to start a conversation he’s been wanting to have for more than five years. “I figured we could start with this,” Chance says, queuing up the emotional video for his latest single, “My Dying Spirit.” “I’m barely on my feet, mama,” he sings over haunting piano. “I’m barely holding on by a thread.” It’s the only visual he’s dropping for Palladium, his recently released new album.
Speaking to Rolling Stone last month, Chance wants to get something off his chest: the trauma he says he felt as a teenager after being discovered and later “completely abandoned” by Ellen DeGeneres. “I’ve never met someone more manipulative, more self-centered, and more blatantly opportunistic than her,” he says.
The piano chords rang loudly as a sixth-grader’s prepubescent voice echoed in the Oklahoma middle school gym. A shaky videographer captured a then-12-year-old Greyson Chance performing Lady Gaga’s “Paparazzi” in front of his schoolmates in early 2010, marking the first time that Greyson sang in front of a crowd. The boy could never have imagined that that local performance would change his life.
It took about a week after the video was posted online for Chance’s mom to receive a call from Los Angeles: Ellen DeGeneres wanted her son on the show the next day. “We just couldn’t believe what was happening,” Chance says. “We were so unsure of what we were getting into, and the person that helped cure all of that skepticism and chaotic energy was Ellen.”
Chance took his first-ever plane ride to appear on The Ellen Show, where he says DeGeneres presented herself as a guardian and a mentor to Chance and his mother. “I remember her pulling my mom aside and saying, ‘You’re never going to have to work again a day in your life.’” To Chance, he recalls, she’d say, “I’m going to protect you. I’m going to be here for you. We’re going to do this together.”
By the time Chance got on Ellen the day after his arrival in L.A., the celebrated TV host who preached about kindness had already conquered daytime television, hitting all-time highs in her show’s ratings. She had recently started a judging gig on American Idol and branched out into a previously unexplored entertainment avenue: the music business. The viral “Paparazzi” kid was the perfect start.
After interviewing Chance on her show in May 2010, DeGeneres gifted the singer $10,000 and a new piano. And inspired by his prodigious talent, she co-created eleveneleven, a record label that was distributed by Interscope Geffen A&M Records, and signed him as her first act. It was her chance, as Variety put it, at “out-Bieb-ing the Bieber,” the biggest teen pop star at the time.
DeGeneres got Chance high-profile managers: Troy Carter and Guy Oseary, who worked with Lady Gaga and Madonna, respectively. She helped him get a deal with WME for a booking agent. A publicist. A brand agent. Put simply by Chance’s mom, Lisa, “It was a big explosion.”