A profile of one of the divas DL loves to hate before she begins her run with "Funny Girl," in which we learn that her awful behavior on the set of "Glee" was because she's such a perfectionist and demands so, so much of herself.
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Fifteen years ago, Lea Michele was sulking in her “Spring Awakening” dressing room, heartbroken over a guy, when the Broadway show’s director offered her a bit of advice.
The director, Michael Mayer, suggested that she watch “Funny Girl,” which, he explained, was about a performer learning to not let a man drag her down.
“I gave it to her as a kind of comfort,” Mayer said in a phone interview last month. “You’ve got this great career, you’re the lead in this significant new musical, and you’re young still.”
Michele watched the movie that night. Dazzled, she watched it again the next night, resolving to one day land the lead role of Fanny Brice. A few weeks later, she gushed about “Funny Girl” and its star, Barbra Streisand, at dinner with a television producer, Ryan Murphy, who went on to create a new series, “Glee,” with Michele in mind.
This is where it gets meta: Playing a glee club captain who graduates to become a striving theater actress, Michele’s character lands her dream role in the first Broadway revival of “Funny Girl” since its debut in 1964.
Murphy’s plan to transfer Michele’s Fanny Brice from the TV screen to stage never materialized. But on Tuesday, a tale that feels to many like life imitating art culminates with Michele’s first performance as Brice, a 20th-century Jewish performer, at the August Wilson Theater.
Like the two other actresses who occupied the lead role this year (first Beanie Feldstein, then her standby Julie Benko), Michele must seek to avoid the shadow of Streisand’s star-making performance in the original musical and movie.
Unlike the other actresses, Michele, 36, must contend with another shadow: her past self. Two years ago, she faced a wave of criticism from former colleagues who publicly accused her of bullying behavior and a prima donna attitude. And she must step into a show whose behind-the-scenes machinations and cast changes have been one of the juiciest running stories on Broadway this summer, prompting reams of coverage and gossip.
“I feel more ready than I ever have before, both personally and professionally,” Michele said in an interview three weeks before her debut. She spoke from a dressing room vacated by the actress Jane Lynch, who ended her run as Brice’s mother earlier than planned, ensuring that the former “Glee” co-stars would never perform together onstage.
The allegations prompted an “intense time of reflection” about her conduct at work, Michele said — which, she believes, has equipped her to be a part of, and lead, a Broadway company for the first time since leaving “Spring Awakening” in 2008.
“I really understand the importance and value now of being a leader,” she said. “It means not only going and doing a good job when the camera’s rolling, but also when it’s not. And that wasn’t always the most important thing for me.”(cont.)