What’s interesting is that, in spite of Jeremy’s legacy, reputation and his rather soft-boiled sheltered upbringing in the lap of relative luxury, in life he adamantly refused to play the effete scholarly posho fop, which would have been the easiest gimmick for him. Unlike the stereotypical homosexual white wealthy man of his age, Jeremy’s dream was to assume the role of a tough, well-travelled, aphoristic and hardbitten working reporter-cum-intelligence agent.
Reports from those who knew him all agree that he had no patience or liking for effeminates, and would deliberately swagger around as if he owned the place—nothing shrill or shrieky in his manner. He’d dress like a gangster on purpose, even bleaching and slicking his hair (not considered something that indicated latent tendencies, back then). He seemed more anxious to seem not-privileged and not-academic rather than not-straight, which is curious. He was a wild and crooked character, ultimately a tragician, but one who was fiercely anti-romantic—he was passionate only to oppose anything he saw as fascistic or altruistic, and to flout so-called natural laws. Jeremy could be cutting and cruel to his peers in a most casual way; his approach to life has been described as Orwellian and Lacanian. It would seem that the shadows of both World Wars swallowed his brief yet brilliant existence.
From Philip French, a friend of his at Oxford, written for the London Review of Books:
[quote] I knew him by reputation. There were people quite as clever as Jeremy, several of them his friends, but somehow word had got around that he was the most brilliant mind of his generation. I had also heard of, and been suitably impressed by, his vacation job on the Times, and had read a devastating ‘Oxford Letter’ he had done for Granta, then Isis’s opposite number in Cambridge, which seemed to have been written by a world-weary cynic acquainted with every social and intellectual stratum of the university and city rather than a freshman who’d been there for five weeks. I also knew him by appearance – the fair hair (its colour aided by bleach), the clip-on dark-glasses worn at all times, the cigarette in the corner of the mouth or held in the hand in such a way that the smoke would turn his fingers oak-brown, the felt hat, dark shirt and light tie, which gave him a gangsterish appearance, though more Guys and Dolls Runyonesque than High Sierra Bogartian. I knew, too, that he was queer (the term ‘gay’ wasn’t used then), though I can’t recall just how that information was conveyed to me. There was nothing of the pansy (a contemporary term he employed to describe a type he despised) about him.
[quote] One of Jeremy’s heroes was the war photographer Robert Capa, who had been blown up by a mine in Indochina in 1954 at the age of 41. The ideal life, we often joked, would have been to have spent the Twenties drinking with Fitzgerald and then been killed in Spain alongside John Cornford and Julian Bell. Jeremy fell immediately for James Dean on seeing East of Eden and Rebel without a Cause. A few years later he was even more passionately drawn to the Polish actor Zbigniew Cybulski, who like Jeremy wore dark glasses and walked around beneath a dazzling cloud of weltschmerz. Like many of his contemporaries Jeremy started to drink heavily during his National Service. His sexual promiscuity began at the same time – but to this he had a more cynical approach. He did not believe in romantic love and rather despised those who did, especially gays. I particularly recall two men associated with Isis who fell in love with him and, after those little flings Jeremy called ‘bunnymoons’, were cruelly rejected and excluded from his life.