The “Teen Spirit” writer-director lives for Robyn and Ariana Grande, too. by Brandon Voss 15h ago
Max Minghella, brooding star of Hulu’s The Handmaid’s Tale, has a shiny new tale to tell.
Following in the footsteps of his late father, Oscar-winning filmmaker Anthony Minghella, the 33-year-old actor makes his directorial debut with Teen Spirit, now in theaters. Elle Fanning plays Violet, a shy teenager who enters a televised singing competition with big dreams of escaping her small English town.
Minghella tells NewNowNext what inspired the female-driven fairytale and why it’s no surprise the soundtrack—packed with pop covers of Robyn, Ariana Grande, Carly Rae Jepsen, and more—sounds made for the gays.
Teen Spirit/LD Ent/Bleecker Street One might expect your directorial debut and first original screenplay to explore something closer to home. Why make a movie about an aspiring young female singer? It’s funny, because people who know me would say it’s almost comically close to home in terms of my interests and fascinations. I definitely was conscious of the fact that it’s very difficult to get a film made, and I had no expectations of getting to make another one, so I tried to squeeze all my favorite things into one 90-minute experience.
Good. The last thing we need is another coming-of-age movie about a straight guy. Seriously, man, how boring would that be?
Did The Handmaid’s Tale influence the female-focused spirit of Teen Spirit? I don’t know if it influenced the spirit, but I am very drawn to stories with female characters. I don’t know why. There’s no noble reason for it. I’ve always preferred to read or watch stories about women. As a young man, it was probably a curiosity thing. And, you know, actresses tend to be better.
The Handmaid's Tale/Hulu Do you relate to Violet’s story? It’s about a singing competition, but by the end of the movie, I don’t think you’re really interested in whether she wins or not. It’s much more about how she is going to maintain her integrity, faced with decisions that are quite difficult to navigate, especially as a young person going through a very vulnerable time. I think about that all the time—how to be a good version of yourself when the world doesn’t make it easy. That resonates with me a lot.
Should audiences look past all the fun pop performances to take away an important lesson? I want to have my cake and eat it, too. I get very excited to see a certain kind of movie, and then I don’t enjoy those movies. I’m the first person out to see Transformers 11, but I don’t always enjoy Transformers 11. The movie I do love is maybe the one I was dragged to. So with Teen Spirit and anything I get to do going forward, my hope is to bridge that gap somehow. I want to create something fun and escapist on the surface, an excuse to go have a theatrical experience. But once you’re in the movie, it’s not patronizing or manipulative, and there’s something to think about during and afterwards.
Critics have been surprised and impressed by Elle Fanning’s vocal chops. Can you sing? Not like that. I certainly shouldn’t be entering any singing competitions. I like to sing in the shower—very badly.