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Death in Venice and Mahler

Dirk Bogarde as Aschenbach, made up to look like Gustav Mahler, whose music dominates the soundtrack. It is written that Mann’s novella ostensibly “outs” Mahler; both Mahler and Mann were major cultural icons, and it is said that both apparently struggled with sexual ambiguity in their lives. Although they were both married with children, it has been speculated that Mahler was a repressed homosexual. (In the case of Mann, the evidence is much more conclusive, indicating homosexual attractions throughout his life.)

So was Gustav Mahler in the closet?

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by Anonymousreply 16October 28, 2019 6:13 AM

He didn't get married until he was in his early 40s, and then it was to a woman half his age.

by Anonymousreply 1July 17, 2016 11:44 AM

I'm happy we had a least a comment for this thread!

by Anonymousreply 2July 17, 2016 12:01 PM

*at least

by Anonymousreply 3July 17, 2016 12:01 PM

R1=photo down below

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by Anonymousreply 4July 17, 2016 12:07 PM

Thank you dear OP.

by Anonymousreply 5July 17, 2016 12:51 PM

I think Gustav truly loved Alma, even though she ended up being a total witch.

There are places in his draft scores where he writes her name, or a comment meant for her. Both moving and kinda chilling at once.

Novella: a great read, even if the symbolism is overwhelming. Mahler 5: big, overblown and beautiful.

Film: Didn't Pauline Kael say something like, "Visconti is utterly insufferable when sucking up to art?" The movie feels interminable, like an ad for some euro-resort on endless repeat.

by Anonymousreply 6July 17, 2016 3:02 PM

Mann's description of Aschenbach is an exact description of a photograph of himself toward the end of his regular summer visits to Venice. Italian boys who were willing for a small fee were plentiful there in season. It was also a great place for a voyeur who liked to look at scantily clad adolescent boys roughhousing at the best (scenes of which occur in the novella). Women and girls covered up, older men also wore dignified beach costumes, on the whole boys did not. Mann burned his Venice diaries, presumably because he compulsively wrote down his encounters with boys. However his behavior with his sons when they were young adolescents was voyeuristic. He also flirted with adolescents and good looking young men when he was older, though may have stopped having sex with them. Anthony Heilbut's carefully researched book about Mann's sexuality is worth reading (out of print but libraries should have it). The existing diaries of Mann, although edited, carry hints of his interests. According to Jonathan Carr's copiously researched and very frank biography of Mahler he was a practiced seducer of women before his marriage and as a rising conductor of opera with eventually great power was in a position to persuade ambitious voluptuous female singers to put out. All the same, although famously odd looking, a number of good looking women were obsessed with him and remained in his circle even when the affair had ended. Many German speaking artists went to Venice (Wagner died there) but there's no evidence that Mahler had a sexual interest in males of any age. As for Kael, I loathe her. Her credo was, fuck the art promote yourself. She did. But she was a cunty philistine, skin deep and when she got the chance to work in the business was an embarrassing flop and struck people as stupid. Death in Venice drags but it is a beautifully made film; artists like Visconti did not need her endorsement or that of the haute bourgeoisie New Yorker.

by Anonymousreply 7July 17, 2016 3:41 PM

Mahler has been my favorite composer for thirty years, and this is the first suggestion I have heard that he might have been gay.

by Anonymousreply 8July 17, 2016 3:52 PM

Signor Mahler tuo gondola e arrivato.

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by Anonymousreply 9July 17, 2016 4:25 PM

And one for Mahler!

by Anonymousreply 10July 17, 2016 4:44 PM

Thank God, there are some sophisticated kitties on DataLounge. We need your knowledge and opinion, guys. You fill beautifully a thread with your comments. And when you are nice you are also very kissable...

by Anonymousreply 11July 18, 2016 11:47 AM

Pauline Kael was and is insufferable when trying to analyze things that are beyond her grasp, and so are those who kiss the ass of her rotting corpse.

by Anonymousreply 12July 18, 2016 1:59 PM

Pretty much every mention I've ever come across of Mahler being gay or sexually conflicted comes back to the same source: the Visconti film. We question Mahler's sexuality because Visconti said so. Sigh. Maybe, like most men, he experimented or had crushes on males -We'll never know for sure at this point. I'd love to claim him as One Of Us simply because his work is so beautiful and passionate, and because he saw him self as an outsider everywhere he went.

Fans should seek out the recording made from original piano rolls that Mahler created. They represent the only record of him performing -And the CD ends with a 20-minute interview with his daughter and others who knew and worked with him.

by Anonymousreply 13October 28, 2019 5:05 AM

It might help to remember that Mann's book and Visconti's film were FICTION (perhaps based on wishful thinking).

by Anonymousreply 14October 28, 2019 5:13 AM

Three of Mann's six children were gay.

by Anonymousreply 15October 28, 2019 5:19 AM

It was pretty common back then for men to get married in their 40s to women half their age, r1.

by Anonymousreply 16October 28, 2019 6:13 AM
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