What are the best novels to start with by authors I've not yet read?
I want to try a book by each of these writers, but I want to start with an excellent novel by each of them.
Jonathan Lethem
David Mitchell
Richard Powers
Saul Bellow
Anyone else is welcome to also list authors they've been meaning to try but don't know with which books to begin.
by Anonymous | reply 11 | September 30, 2020 1:53 AM
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If you’re wanting a good book, SCRUPLES - by Judith Krantz.
Seriously, if you want to see how a “commercial” novel should be written, read it. It’s very deftly plotted, with great attention to the physical settings, etc. and a large cast of specifically etched characters.
I work as an editor, and often steer writers to this book so they can study the pleasure that physical description can give readers.
Offsite Linkby Anonymous | reply 1 | July 31, 2020 5:07 AM
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For David Mitchell, start with Black Swan Green. Far more accessible than Cloud Atlas.
by Anonymous | reply 2 | July 31, 2020 5:38 AM
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James Salter -- Light Years
by Anonymous | reply 3 | July 31, 2020 5:40 AM
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That's not quite one of the responses I was envisioning, r3.
by Anonymous | reply 4 | July 31, 2020 5:54 AM
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I loved Lethem's "Motherless Brooklyn", OP.
by Anonymous | reply 6 | September 30, 2020 12:38 AM
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Try Sinclair Lewis, and start with Babbitt. He is subtle and imaginative and still very relevant.
by Anonymous | reply 7 | September 30, 2020 12:46 AM
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Bellow—Adventures of Angie March (it’s long but great) or Seize the Day (novella, beautifully compact).
by Anonymous | reply 8 | September 30, 2020 1:13 AM
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For David Mitchell, you could also try one of his earlier works - Ghostwritten. Less dense and complicated as compared to Cloud Atlas but mostly removed from the later work that he is more well-known for.
by Anonymous | reply 9 | September 30, 2020 1:21 AM
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"Gold-Digging Slut" by Danielle Steele
by Anonymous | reply 10 | September 30, 2020 1:24 AM
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For Mitchell I recommend Black Swan Green. It’s not formally or stylistically experimental, but is semi-autobiographical and uses the point of view of boy who stammers, which was true of Mitchell—it may be part of what led him to explore language and patterns in his novels.
by Anonymous | reply 11 | September 30, 2020 1:53 AM
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