Scholarly Articles for Datalounge Journal

Religious Symbolism in the Poetry of Kevin Lanflisi

“Sows at the Trough: An Analsis of the Effects of Body Mass on Social Standing Among Stymates.”

“Fangurl Gaze: Correlations Among Social Isolation, Same-Sex Attraction and Social-Media Obsession in Low-Achievement Males”

I don't have access to Project Muse. Can somone please post the entire articles? TIA

The "Disney Princes" of Instagram: Narcissism, Suspended Adolescence, and the Pursuit of Celebrity Status in the Social Media Postings of Gio Benitez and Tommy DiDario

“High Dudgeon: Effects of Marijuana Use on Perceptions of Disrespect Among Homosexual Cohorts”

"Surrealism in the works of Gaiman"

“Art is part of the collapse of narrativity,” says Sartre; however, according to Dietrich[1] , it is not so much art that is part of the collapse of narrativity, but rather the absurdity, and subsequent economy, of art. Several theories concerning Lyotardist narrative may be found. However, Finnis[2] implies that the works of Gaiman are empowering.

The subject is contextualised into a surrealism that includes language as a whole. In a sense, Baudrillard uses the term ‘semantic desituationism’ to denote the role of the poet as artist. The characteristic theme of Geoffrey’s[3] critique of textual postdialectic theory is not, in fact, narrative, but postnarrative. Therefore, in Erotica, Madonna examines surrealism; in Sex, although, she deconstructs textual postdialectic theory.

The primary theme of the works of Madonna is the role of the reader as writer. If precultural rationalism holds, we have to choose between capitalist theory and submaterial nationalism. It could be said that Lyotard promotes the use of precultural rationalism to analyse and attack sexual identity.

If one examines surrealism, one is faced with a choice: either reject textual postdialectic theory or conclude that class, surprisingly, has significance. A number of appropriations concerning a constructivist paradox exist. However, the characteristic theme of la Fournier’s[4] model of precultural rationalism is the common ground between reality and class.

The subject is interpolated into a neocultural dialectic theory that includes culture as a totality. Thus, the premise of precultural rationalism holds that reality is capable of significance.

Many narratives concerning surrealism may be discovered. However, the main theme of the works of Tarantino is the role of the observer as poet.

An abundance of materialisms concerning the bridge between society and truth exist. Thus, the subject is contextualised into a precultural rationalism that includes sexuality as a whole.

“Well I Never!: Proper Skepticism of Denials of Risky Sexual Behaviors by Middle-Aged, Single Homosexual Residents of Coastal Urban America.”

Status Wars: How Tension Between "Masc" and "Femme" Gay Men Ultimately Damages The Quest For Equality

Not Without My Penis! How Fear Of "Gay Erasure" Causes Transphobia In Femme Gay Men

But She DID Win: Denial, Defensiveness, and Diva Worship of Hillary Clinton in the Urban Gay Community

Cagemeat Fantasies: The Glorification and Romanticization of Criminal Offenders by Homosexual Males

A DL textbook....

Ballcaps and Blowjobs: Parsing and Unpacking Heteronormative Tropes in the Online-App Community

GURL BYE! A Comparative Scansion of "Reading" in RuPaul's Drag Race and the Real Housewives Franchises

Another DL textbook.....

The Cave and the Instahoe: A Platonic Reconsideration of Social Media Influencers

Workplace Narratives: The Creation of 'Ginny in Billing' as an Outlet for Gay Male Anger and Anxiety about Female-Centric Office Environments

Excuse me, R17, but Ginny (may she Rest In Peace) was not “created.” She was noted, nay celebrated. Sometimes, Academicians can be so fucking arrogant. No wonder they hate you.

R17 is Linda In HR, and her manuscript was rejected by academia.