O completely disagree with r3/r11. I think all the rebuilding ot’s Characters are much more complicated than the original, in which people were total saints or total bitches (except for, ironically enough, the original Fallon, who was very well written).
I posted this on another thread, but I think it’s worth repeating here {WARNING: Long post. Sorry about that, bitches}:
Too many negative Nellies here, so I’m going to make some positive observations:
The reboot’s characters are ALL written with a certain degree of complexity. Unlike the original, not one single character is completely good or evil. For the poster upthread who said Michael Culhane is too much of a Saint, remember he’s been lying to his parents for most of his professional life. That’s a tough charade to keep up.
I think this Cristal is a step up from frozen-faced, ditzy Linda Evans. At least, this one has a career, and is not some secretary-cum-socialite. Plus she has beauty pageant looks (Miss Venezuela?) whereas Evans looked like a dried-up, cross-eyed line backer.
The bilingual element is a step up (just like pop songs nowadays) and, whereas it will piss off bigoted deplorables (some of which have shown their true colors in this thread), it is attracting a huge Hispanic and international audience, all known soap lovers. So I wouldn’t worry about the show’s fate.
Rafael de la Fuente as Sammy Jo is exquisite, and a great departure from the also exquisite Heather Locklear. Here’s a wonderful example of derivative characters, both of which worked on their own merits (even if both had that basic honest-yet-trashy quality). I especially love the actor’s side talents (singing/dancing) and the character’s relationship with Anders, who has taken quite an affection for him, not unlike that of an older gay man looking after a younger, straying one and performing daddy/mentor functions. What’s not to love? (Is this still a gay web site??! I’ve been wondering).
Speaking of side talents, Peruvian actress Nathalie Kelly (new Cristal, spelled differently for those of you who are still getting it wrong) is quite the Latin Ballroom dancer!
Despite his wooden performance, Grant Show is doing a good job delivering a cold, callous Blake Carrington, and looks a lot more desirable than John Forsyth’s, who was difficult to digest as someone having sex with a voluptuous female with twice his shoulder size. Talk about a one-note and wooden performance! The new Blake at least has some father issues through which his vulnerability shows.
Those of you trashing the show as glitzy and cheap-looking have clearly forgotten a) the ruffly, glittery shoulder-padded triangle fashions of the 1980’s that haunted the original and b) the low budget photography and set designs of the original. It was and still is a soap opera! We are indulging in the tinsel optics.
I take the show at face value. One of the few negatives I have is why did they bother to move the show to Atlanta (probably to feature a larger multi-culture). Not a single southern accent in the crowd!! Not even the local police or waitstaff!