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James Horner

Gay?

by Anonymousreply 2101/09/2013

Little James Horner

Sat in the corner

Playing in his own scat

He stuck in his thumb

Till his ass went numb

And said, I'd rather do twat.

by Anonymousreply 112/31/2012

The film composer? No, just British. Except that he's not British, either.

He is a massive plagiarist, though.

by Anonymousreply 212/31/2012

FUG

by Anonymousreply 312/31/2012

r1

Twat is TWOT like hot, not TWAT like that.

by Anonymousreply 412/31/2012

R2, I can't find any record of him being married or having children on his Wikipedia profile.

by Anonymousreply 512/31/2012

You said it, R2. He's like a second-rate John Williams, who is a second-rate Jerry Goldsmith.

by Anonymousreply 601/02/2013

And Jerry Goldsmith was a third rate Bernard Herrmann.

by Anonymousreply 701/02/2013

Goldsmith was great!

by Anonymousreply 801/02/2013

To me, R7, Goldsmith is more like Alex North than Herrmann.

by Anonymousreply 901/02/2013

Hmmm, that's interesting R9. I'm only familiar with North's work on DEATH OF A SALESMAN and STREETCAR. Goldsmith's work for BASIC INSTINCT which I love, reminds me a lot of Herrmann's VERTIGO.

by Anonymousreply 1001/02/2013

I agree with you, R9 -- that was certainly a Herrmann-esque score. Honestly, I don't find Goldsmith's post-Omen scores all that compelling. Still, I consider him a worthy successor to Rozsa, North, Herrmann, and Waxman. I wouldn't put Horner or Williams in the same category.

by Anonymousreply 1101/02/2013

Horner, Williams and that woman who did CIDER HOUSE RULES (Rachel something?) can turn any scene into dreck with their syrupy scores.

by Anonymousreply 1201/02/2013

Goldsmith's score for the 1968 PLANET OF THE APES is perhaps his best.

by Anonymousreply 1301/02/2013

Second best to Alien.

by Anonymousreply 1401/02/2013

[all posts by right wing shit-stain # a removed.]

by Anonymousreply 1501/04/2013

[quote]And Jerry Goldsmith was a third rate Bernard Herrmann.

Hermann was a solid composer, but not all that. Most people don't even remember him today.

by Anonymousreply 1601/05/2013

Every night in my dreams I see you, I feel you That is how I know you go on.

Far across the distance and spaces between us You have come to show you go on.

Near, Far, wherever you are, I believe that the heart does go on.

Once more, you opened the door And you're here in my heart, and my heart will go on and on.

Love can touch us one time and last for a lifetime And never let go till we're gone.

Love was when I loved you, one true time to hold on to In my life we'll always go on.

Near, far, wherever you are, I believe that the heart does go on.

Once more, you opened the door And you're here in my heart, and my heart will go on and on.

You're here, there's nothing I fear And I know that my heart will go on. We'll stay, forever this way You are safe in my heart

and my heart will go on and on.

by Anonymousreply 1701/05/2013

Other nice scores by Jerry Goldsmith:

The Secret of NIMH

First Knight

L.A. Confidential

by Anonymousreply 1801/05/2013

[all posts by right wing shit-stain # a removed.]

by Anonymousreply 1901/05/2013

[all posts by right wing shit-stain # a removed.]

by Anonymousreply 2001/09/2013

My favorite Goldsmith score is for "Seconds," but I've only ever found one snipped of it on disc.

by Anonymousreply 2101/09/2013
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