- Bette Davis "Bumpy Night" frock.
- Deborah Kerr''s ballgown in "The King and I" does it for me.
- That red dress that Scarlett O''Hara wears to Melanie''s party.\
- Liz Taylor''s strapless-daisy-bodiced dress where she meets Monty Clift for the first time in A PLACE IN THE SUN.
- GAYEST THREAD OF THE YEAR!!
- CLEOPATRA''S (Elizabeth''s) gold caftan looking thing she wore when arriving on the slave toted palat.
- Grace Kelly''s Read Window dress. Wearing it in that dingy apartment made it look even more beautiful. \
Scroll down for more photos.
- I was always mesmerized by the gold costume ball gown that Grace Kelly wore in To Catch A Thief. For glorious excess, that really takes the cake. %0D\
Not a dress or a gown, but the Grecian-draped swimsuit cover-up she wore in High Society was pretty nifty too.
- Audrey Hepburn''s ballgown in My Fair Lady as well as her gown worn to the races.%0D\
Barbra''s gown in "Love with all the trimmings" in On a Clear Day You Can See Forever%0D\
- Jesus Christ, OP. Have you ever seen a film made before 1990?
Orry-Kelly''s dress form
- Eliabeth Taylor''s Helen Rose–designed Grecian-style white number in [italic]Cat on a Hot Tin Roof.[/italic] Simple but iconic.
- I love the costumes that I see in old Hollywood films. %0D\
Here is a link to the costumes worn in Dangerous Beauty circa 1998
- Audrey Hepburn''s wedding gown in FUNNY FACE. And just about every dress she wears in that and in BREAKFAST AT TIFFANY''S. All courtesy of Givenchy.\
I like everything mentioned here so far too.\
Overall, the best period costumes ever: Milo Anderson''s creations for Olivia de Havilland in THE ADVENTURES OF ROBIN HOOD. Luxurious, detailed, vivid sense of color and all were perfectly flattering to the actress.
- Haven''t any of you people ever seen GILDA?
hate is a very exciting emotion, Johnny...
- This one
- I can''t remember if it was Glenn Close, Michelle Pfeiffer or Uma Thurman but it was in Dangerous Liasons and it was yellow and breathtaking.
- Unfortunately there''s no pics, but here''s a list of 30 years of memorable dresses in film
- Everything I''ve ever worn.\
- Eve Harrington''s gown and cape that she wore the night she was awarded the Sarah Siddons statue.
- You''re a lesbian, R20, right?
- That monkey-fur thing in Singin'' in the Rain.
- Katherine Hepburn in pants in Bringing up Baby.%0D\
- I always loved this gown from Jennifer Jones'' "Madame Bovary". She plays this little nothing from nowhere who lives in a fantasy world, and when she wears this lovely gown to a real-life ball she feels like all her impossible dreams are coming true. %0D\
The gown flatters her wonderfully, and when she dances it moves floats like a cloud. Sorry I couldn''t find a better picture.
- My mother tells me the Dorothy Lamour sarong was quite popular for honeymoon night.
- Jean Louis and nobody could wear it better than Rita.
- Keira Knightley''s green dress in Atonement. Perfect.
- Marilyn''s pink gown in the "Diamonds Are Girl''s Best Friend" number from [italic]Gentlemen Prefer Blondes[/italic].
- Really anything by Edith Head, especially when she dressed Grace Kelly, but Evan Marie Saint''s red and black dress in North by Northwest gives my eyes orgasms.
Thanks for the homage to one of my top three FAVORITE films of all time. I sometimes think I was the only person on the planet to love and appreciate that movie but I love it. The costumes in that film just weren''t appreciated as much as they should have been.
- Judy Garland''s dress when she accepts her Oscar in the movie "A Star is Born".
- 29 posts and no Letty Lynton???
- The gown Hepburn wears to her sister''s engagement party in Holiday. Simple and elegant, perfect for her.
- The fashion show from "Lucy Gallant"
- this one.
- The gown that Patty Duke wore in Valley of the Dolls when she and Hayward have their "cat" fight.
- Y''all are gonna slam me, but I don''t care. \
Barbra''s dresses in [bold]HELLO, DOLLY![/bold] were incredible. Of course, the gold number in the Big Scene was most magnificent, but the sexy purple one she wears to the dress shop (and in which she sings "Before the Parade Passes By") is gorgeous, as well.\
And the feathered hat she wears when we first see Dolly, well, I WANT THAT FUCKING HAT! Gene Kelly photographed it spectacularly.
- These are pretty damned spectacular. Oh, to have either of those bodies!
The classic movie dress!%0D\
Vivian at the polo match.....
- The frocks in Marie Antoinette.
- R20 -- I''ve actually seen that outfit worn by Anne Baxter in "All About Eve" on display at a costume exhibition. In the B&W film, it looks like it would be a pastel color. In fact it was off-white (ivory) with silver, gold and white glittering embroidery.\
R32 -- your link doesn''t work. But if you mean that white dress with the big, ruffled, butterfly sleeves which was so influential in 1933, no one has seen LETTY LINTON in years. It was withdrawn from release at the time because of copyright infringement and hasn''t seen the light of day since then.
- I''m also on board with Barbra''s purple dress in "Dolly" -- and the wedding gown and hat at the end. Well done, Irene Sharaff (sp?)%0D\
When I was a Brownie scout our leader took us to see "the King and I" -- I never got over Deborah Kerr''s humongous hoop-skirted gowns, but especially the satin one in the "Shall We Dance?" sequence, with the sparkly headpiece. Oddly, I can''t remember what color it was.
- Bob Mackie - Funny Lady - How Lucky Can You Get%0D\
- r42 Lavender color.Love that dress too..
- I''ve always loved the simple, high-necked beaded gown Joan Crawford wears as she walks into the ocean to drown herself in "Humoresque". If you''re going to go, go in style.
- I''d forgotten how, um, skimpy and revealing that Mackie dress was, R43. %0D\
Great dress. Great song. Terrific performance, nicely shot.
- Lucy''s ball gown from "Bram Stoker''s Dracula".
- I hope that those of you who love the Dolly dresses realize that the same lady designed the King and I dresses and Elizabeth Taylor''s Cleopatra costumes....Irene Sharaff. She also designed West Side Story, An American in Paris, Brigadoon, Who''s Afraid of Virginia Woolf and Funny Girl, among many others.
- Eiko really did knock Lucy''s outfits outta the park in Dracula. I always loved the orange nightgown thing she wears when the wolf humps her in the garden.
- Vanessa Redgrave''s wedding dress in CAMELOT, entirely crocheted and then decorated with pumpkin seeds and sea shells. It''s glorious.
- For daywear, anything and everything Doris Day wears in Pillow Talk.
- The gowns from The Women are glamorous but silly and impractical. LOVE the gold lame bare midriff gown that Joan Crawford wears.%0D\
- The Bride Wore Red
- Audrey Hepburn in [italic]Sabrina[/italic]
- Some great gowns at the link below. One of my personal favorites has always been the scandalous nude chiffon gown Marilyn wore in Some Like It Hot.\
Also agreed that the green gown in Atonement was gorgeous.
- I think there were a few dresses from old movies that really made me weak. One that was already mentioned was Eva Marie Saint''s red/black dress from North By Northwest. Another was the dress/coat* Ingrid Bergman wore to the ballet with Cary Grant in Indiscreet. Audrey Hepburn appears often in this category.\
Modern films, don''t thrill me so much, but I think everything Tilda Swinton wore in I Am Love should get a collective nod.\
*and I was disappointed in Isaac Mizrahi when Isabella Rossellini showed him that very dress/coat (she still has it) and he admitted he never liked it.
loved to swoon on 70s weekends when broadcast TV showed actual movies
- [quote]Barbra''s dresses in HELLO, DOLLY! were incredible. Of course, the gold number in the Big Scene was most magnificent,\
Want it? Debbie Reynolds is auctioning it in May.
- At R55''s link, the post modern dresses are hideous. Pretty in Pink sheath dress? Julia Robert''s stretchy hooker gettup? Demi Moore''s weird holey black dress? Really?%0D\
What about Rose''s dresses in Titanic worn by Kate Winslet? She had a gorgeous wardrobe.%0D\
These links remind me just how much I miss the fashion of yesteryear.
- The dress Deborah Kerr wore in "The King and I" isn''t lavender, it''s a sort of warm beige or pale bronze. %0D\
What the hell do you call that color, anyway?
- Marlene Dietrich in ANGEL:
- Barbra"s red hat and coat from the opening scene of On a clear day, her first flashback as Melinda.\
Glenn Close as Norma Desmond in Sunset and Dalmations.
- r59 on the screen it has a slight lavender hue to it.
- Every so often I read a thread on this board and I''m convinced I''m straight.
- It''s not light lavender, it''s mauve.
- Loads 1 through 37 created the most AMAZING cumfrock.
- Check out Audrey Hepburn''s wardrobe in \
"Funny Face." You''ll also get the bonuses of a great movie, great score, great cast--one of Holywood''s last great original musicals. Hepburn is totally captivating, as usual.
- I love the peacock-blue Jacques Fath dress Moira Shearer wears to Lermontov''s villa in [italic]The Red Shoes[/italic].
- Philadelphia Story
- You really can''t go wrong with Travis Banton, Adrian or Helen Rose. Though my heart belongs to Orry-Kelly.
- [quote]Though my heart belongs to Orry-Kelly.\
He did great work on [italic]The Maltese Falcon[/italic]. None of those outfits qualifies as fabulous. But the outfits defined the actresses'' characters so well, especially the Widow Archer''s vulgar mourning wardrobe.
- I love Dietrich''s fur hat in Scarlet Empress.
- Here''s Keira Knightley''s Atonement dress. I would have liked it much more if she had the body (or foundation garments is what I think they call them) for it.
- How about this stunner worn by Irene Dunne as she sings "Lovely to Look At" in Roberta.
- Oleg Cassini designed all of Gene Tierney''s outfits in "The Ghost and Mrs. Muir." For a poor widow, she dresses very well.
- In 1982, I swear I saw Oleg Cassini on the #1 train in NYC.
- What, nobody''s mentioned Nomi Malone''s "It''s Ver-sayce" dress yet? The one that revealed how desperately shallow and materialistic her Showgirl dreams really were?%0D\
It really was cute, though.
Sorry, can''t find a picture
- Charles Busch''s "Die Mommie Die" Sheath with matching lining of cape.
- Ilsa Lund.
- The Adrian Marie Antoinette, Norma Shearer amazing
- Sofia Coppola - Godfather III\
I know, I know, but I love the wardrobe for this movie.
- That dress is really pretty, R80. Diane Keaton''s costumes are also gorgeous. Milena Canonero designed the film.
- Ginger Roger''s Lady In the Dark dress is stunning. Mink lined with ruby glitter. It weighed a veritable ton. They had to make a copy of it comprised of lighter "substitute" fabric for her to dance in it.
- Charles Busch''s black and white sheath,,,,,
- I was looking for a photo of Catherine Deneuve and ran across this page devoted to pictures of her in opera gloves. I thought Dataloungers would appreciate the obsession.
- All the costumes from The Adventures of Priscilla, Queen of the Desert.\
Especially this one:
- I love Rosalind Russell''s two suits for His Girl Friday...not sure who designed them. Columbia''s resident designer Howard Greer?
- IMdB says Robert Kalloch, R86.
- In Republic''s HIT PARADE OF 1943, stars Eve Arden and a very young Susan Hayward wore duds designed by Adele Palmer...but supporting player Gail Patrick (playing - SURPRISE - the bitchy rich girl) wore fabulous gowns by Adrian (which probably cost more than the rest of the film did).
- I nominate the scandalous red dress Bette wore to the White Ball in "Jezebel"--if not for actual style then for effect:
- Not a gown, but I love everything Catherine Deneuve wears in Belle de Jour.
- I love Travis Banton''s gowns for Marlene Dietrich in THE DEVIL IS A WOMAN. They are amazing. His work in SHANGHAI EXPRESS is great too. I second whoever said MARIE ANTOINETTE by Adrian. %0D\
For contemporary films, Sharon Stone''s costumes in BASIC INSTINCT and DIABOLIQUE were beautiful.
- 91 reply''s and no one mentions Orry-Kelly''s showstopping mourning dress on Roz Russell in "Auntie Mame"....she does the whole scene- from entering the room, to taking off her cape and hat, to playing out a funny, long scene with a lot of business, and the last shot, when she turns her back to the camera for the first time.....POW!!!!! If you haven''t seen it , it is a must, and the THE top ten movie dresses of all time...
- GWTW was glossed over--yes, the red dress is gorgeous, but so is the white one Scarlett wears at the beginning...and the green sprigged dress she wears to the barbecue.%0D\
I also like the outfit she wears near the end, when she goes to see Ashely at the mill: a white dress with a baby blue velvet jacket and a little white hat with netting.
- The sexiest outfit Ingrid Bergman ever wore - "Notorious"
- "My vote: Bram Stoker''s DRACULA and the wedding dress Lucy wears, designed by Eiko Ishioka."%0D\
I hated that thing. It was hideous! I''ve never seen a Victorian wedding dress like looked like that; it looks like something you''d see a contemporary fashion model wearing as she struts down the runway. And that thing on her head...is it supposed to be a hat? And that huge thing around her neck is a "ruff", which looked ghastly even when it was in fashion in the 16th and 17th centuries.
- Judy''s gown in the "Born In A Trunk" sequence in A STAR IS BORN, wherein she sings "Melancholy Baby".
- "I also like the outfit she wears near the end, when she goes to see Ashely at the mill: a white dress with a baby blue velvet jacket and a little white hat with netting."%0D\
Oh, it''s so fabulous! %0D\
I would add Meryl Streep''s New Year''s Eve gown in "Out of Africa."
- Scarlet''s dress for the party at Twin Oaks at the beginning of GWTW. %0D\
About 20 or the 50''s cinched waist numbers Edith Head did for Elizabeth Taylor in the 50s.
- That strapless black and white number Holly Hunter wears in BROADCAST NEWS. You can tell she feels so pretty in it. It''s a good film otherwise, but for those few scenes it is all about that dress.
- Didn''t Edith Head have it in her contract that she received sole credit for costumes at Paramount even though Givenchy designed most of Audrey Hepburn''s iconic costumes? I''m thinking particularly of SABRINA. I love the gwon Hepburn wears to the house party. I don''t think that was Edith Head.
- R27...it''s a shame Knightly didn''t fill that dress out, she''s so emaciated\
Kim Basinger''s Black/white hooded gown in LA Confidential
- r95 you''re kind of missing the point of Eiko''s costumes in Dracula - they''re not supposed to be realistic depictions of Victorian costuming at all, especially Lucy''s. They''re impressionistic kabuki freak-outs that fit Coppola''s fever-dream film perfectly. I mean, look at Gary Oldman''s armor from the opening sequence:
- Vanessa Redgrave''s wedding dress in CAMELOT.%0D\
Elizabeth Taylor''s party dress in A PLACE IN THE SUN.
- For sheer, over the top fun, I loved Elizabeth Taylor''s whole wardrobe in "BOOM!" Particularly this insane headpiece and Japanese outfit she wore in this bizarre scene with Noel Coward:
- Geraldine Chaplin''s pink travel ensemble in "Doctor Zhivago." OMG!%0D
- Barbara Stanwyck''s midriff-baring black gown from the beginning of "The Lady Eve"\
Ginger Rogers had so many of them in the Astaire films, but my favorite is the white gown from the "Never Gonna Dance" number in "Swing Time"
- Gayest. Thread. EVAH. I love it!
- I would concur on Ginger in the Rogers/Astaire movies. So many gorgeous gowns, esp. the fully beaded number in Follow the Fleet''s Let''s Face the Music and Dance. The sleeve action nearly took out one of Fred''s eyes.
Harriet Hilliard Nelson
- I agree with Lucy''s wedding gown. It was just soooo wierd.
- Grace Kelly''s black and white outfit in REAR WINDOW... just beautiful.
- Cyd Charisse''s pleated skirt in the "Dancing in the Dark" sequence from THE BAND WAGON.
- Elizabeth Taylor''s wedding dress in FATHER OF THE BRIDE.
- Yes, Deborah Kerr's "King And I" dress was mauve. A color considered acceptable for "half mourning" in the 1860s. In fact, all of Kerr's clothes are colors that would have been considered correct for a woman who had been widowed for over a year. Black, white, mauve, grey and a pale, dull blue.
R100, as head of Paramount wardrobe, Head got sole screen credit, even if the only thing she did was approve costume sketches that others had done. In "Sabrina," Hepburn's grey traveling suit, black full-skirted satin cocktail dress and the white pique evening gown with black embroidery were all from Givenchey's fashion line of the year before. Hepburn bought them directly from him, they were shipped to Hollywood and that was that. But Head technically had the right to hog screen credit, and she did. And undeservedly won an Oscar. The black cocktail dress with the "Sabrina" neckline was refitted and slightly raised for Hepburn, who was self-conscious about her prominent collar bones. Both flattering and sophisticated, it started a craze. And Hepburn made sure Givenchy got screen credit for her clothes from then on, beginning with "Funny Face."
- Lucy and Ethel''s paris gowns.%0D\
Seriously, Marie Antoinette had gorgeous costumes but that whole era was great for clothing be it mens or womens. The whole set looked like a candy box. Men could wear bows, ribbons and makeup and heels. Her male hairdresser in pink is fabulous.
- I can''t believe Flare mentioned the ridiculous Gwen Stefani in The Aviator, without having the good sense to illustrate how the original was worn to much greater effect.
http://www.google.com/imgres?imgurl=http://www.doctormacro.com/Images/Harlow, Jean/Annex/Annex - Harlow, Jean (Dinner at Eight)_07.jpg&imgrefurl=http://www.doctormacro.com/Movie Summaries/D/Dinner at Eight.htm&usg=_
- I''d go with the shimmering silver 30s gown Joan Chen wears to the inaugural ball at the Salt Tax Palace in Manchukuo for "The Last Emperor."\
I wish I could find a better picture of it than this so you could see its full effect. There''s a great shot where she raises a toast to her husband before the entire throng and then sadly disappears into the night to find solace in opium, and it''s one of the most stunning shots I''ve ever seen in film.
- R115, your link doesn''t show anything. I want to see the original.
- [quote]Glenn Close as Norma Desmond in Sunset \
That''s not in a film.
- The black evening gown with the abstract lace bodice that Claudette Colbert wears in "The Palm Springs Story."
- I love the 1870s gowns Gabrielle Pescucci created for The Age of Innocence--this red evening gown Michelle Pfeiffer wore was stunning:
- R94 and R115, you links do not work.
- whoops--there''s a picture of it here, too--the silver satin with the fox, in the picture with Wallace Beery.%0D\
The negligee at the bottom of the page is also a favorite.
- One man owns several of the costumes discussed here.%0D\
- The Talented Mr. Ripley had great men''s and women''s costumes%0D\
De-Lovely sucked, but the costumes were fab
- At Long Last Love (Cybill Shepherd and Madelyn Kahn in a Cole Porter musical) sucked.. it was so bad it was campy bad. But the black and white costumes and set design were diVINE!
- Oh man, I''d forgotten about the "Sabrina" costumes -- they were wonderful. I don''t know who Edith Head thought she was fooling -- even as a little girl I knew Hepburn''s clothing in that film was by Givenchy. (I remember wondering if Humphrey Bogart''s secretary''s dress was Givenchy also.)
- No one rocked a bias cut satin gown like Jean Harlow.
- Keira Knightley''s green Atonement dress
- Love Hepburn''s traveling outfit in Sabrina. God I was disappointed with the remake. Julia Ormond was so bland and the clothes boring. I couldn''t watch Hello, Dolly because Walter Matthau was the lead male and all I could think of was how old and ugly he was compared to Barbara. Why the hell would she want him?
- Pretty dress at R128 but she desperately needs some tits.
- The gowns in "Les Girls," the gay version of Rashomon, are sublime.
- R93 & R108 are reading my mind! The outfits you cited for GWTW and for Astaire/Rogers, especially Let''s Face the Music and Dance weer exactly those I wanted to recognize. %0D\
I was home being sick recently, and watched Elizabeth Taylor''s Cleopatra on Comcast. It was one of the most unintentionally funny movies I''ve seen in a long time. %0D\
The movie had a few moments,when Rex Harrison and Richard Burton tried really hard to act, but it was generally the most awful mess and Elizabeth in particular was truly, really bad. Just. Awful. %0D\
But her costumes were almost uniformly gorgeous,(there were two or three exceptions) especially the colors. And she had a different outfit on in every single scene. It was like a one woman fashion parade. Most of her wigs were crap, but she had great hats. They must''ve done at least 20 or 30 different outfits.
- For whatever reason, I do have to say my favorite was the ball gown Audrey Hepburn wore in My Fair Lady. Exquisite. I''ve loved many of the gowns you all have mentioned but that''s my personal favorite.
- [quote]I couldn''t watch Hello, Dolly because Walter Matthau was the lead male and all I could think of was how old and ugly he was compared to Barbara. Why the hell would she want him?\
I dunno--money and social status? I''d wager matchmaking barely paid the rent on her humble flat.\
Seriously, I used to think the same when I was a kid. But I grew to love his performance, and the craggy sweetness he brings, especially when he realizes he''s falling in love with Dolly. I just adore that little scene in the shop toward the end, when they do that little dance together. (See it here, from 2:48-3:50)
Plus, he looks like Snoopy! They have the same eyes.
- Wittiest period costuming in movies ever: Murder on the Nile designed by Anthony Powell who also designed Dangerous Liaisons and many others.
- Vanessa Redgrave''s gold gown and headdress she wears in CAMELOT in the scene where Lancelot is knighted. That thing must have weighed a ton.
- Edith Head did not design the red and black frock Eva Marie Saint wore in [italic]North by Northwest[/italic]. In an interview last year Saint described how Hitchcock took her shopping at Bergdorf Goodman:%0D
[quote]There were a few pieces done at M-G-M but he wasn't happy with the look. He had a specific look. Sexy Spy Lady. He took me to Bergdorf Goodman in New York, and the models went by, and the things that I liked-- he would say, "Tell me only what you [italic]really[/italic] like." And I loved the black dress with the roses, and some other things. And he said, "Wrap them up for Eva Marie." He never would have said that if he hadn't agreed with it. But he'd done his homework, I'm sure, and he didn't have the models come out in anything but what he would choose too. He was very meticulous about everything, and I loved that because that helped me prepare and work out who this sexy spy lady was. It all helps. It starts from the inside, but who wouldn't want to play Sexy Spy Lady? What actress wouldn't want to play that? But the look was so important.%0D
- The grecian gown Genevieve Paige wears in Youngblood Hawke when she comes into the bedroom of James Franciscus. Once glimpsed, never forgotten. It defines sophistication. \
Nicholas and Alexandra is gorgeously costumed.\
The cullottes and overfrock Marie France Pisier wears in The Other Side Of Midnight as the mistress of the richest man in the world. Everything she wears is sensational...
- Although the film may have been a misfire, the gowns Theoni V. Aldregde designed for Lucille Ball in Mame were truly breathtaking.
- The Cecil Beaton gown and turban from On A Clear Day. A couple were made. One was recently auctioned. Babs owns another.
- Mame (Rosalind Russell version), Out Of Africa, Shakespeare In Love, and To Catch A Thief are the kind of films where the costuming is so exquisite in every frame they give rag queens the trembles.\
But no one could wear feathers like Marlene...
- Cedric Gibbons, who was MGM''s principal art director for over 3 decades had a similar contract to Edith Head at Paramount. Every major (and many minor) MGM film carried his name as the production designer even though he often just chose the actual designer and simply signed off on the plans. But he was ultimately responsible to LB Mayer for every decision. %0D\
Edith Head was elevated at Paramount to principal costume designer because the studio bosses felt that the far more talented and creative (but often alcoholic) Travis Banton had gained too much control and influence over their leading ladies, particularly Dietrich, Lombard and Mae West. Head was considered far more practical and economical and was always valued as the ultimate "company man" by directors as well as producers. But then, most actresses apparently loved her designs, too.
- And Edith loved the actresses.
- Bill Travilla deserves special mention here for all of his designs for Marilyn Monroe, particularly those already mentioned in Gentlemen Prefer Blondes (so many more than just the pink Diamonds Are a Girl''s Best Friend gown), There''s No Business Like Show Business (Heat Wave!) and especially the three spectacular white dresses he did for The 7 Year Itch. The subway grate dress is most remembered but the other two are even sexier. %0D\
Did he design How to Marry a Millionaire? I should know that...it also has one of the wittiest film wardrobes ever made.
- "Pretty dress at [R128] but she desperately needs some tits."%0D\
And some hips and an ass. %0D\
- Travilla did Millionaire for all three leads.%0D
His last film with Monroe was Bus Stop, but he did a series of sketches when she was being considered for "The Stripper" which eventually went to Joanne Woodward after Monroe's death.%0D
Rumor has it that Debbie Reynolds has a reserve of $3 million for the subway grate dress when it goes up for sale this May. It has now turned a tan color from age.%0D
An exact copy of the dress made in the 1980s from snipping apart the original and remaking the pattern (by Travilla himself) sold for $60,000.%0D
Travilla's Estate has approximately seven Monroe dresses in it's archives, including the first prototype versions of the Pink Diamonds and Red Little Rock costumes from Blondes. And about nine original sketches including the one for the white dress appraised at over $100,000.%0D
Travilla did over 100 productions in both film and television with one Oscar and two Golden Globes.%0D
Travilla is also the only Costume Designer to have a successful private label and for over 30 years along with his film career.
- Faye Dunaway''s dress in Towering Inferno!!
- It''s worth watching the extras on the Valley of the Dolls DVD for the Travilla segment.
The rust color pant suit Judy Garland took without first asking permission
- R147, I was so worried that dress wouldn''t survive.
- Murder on the Orient Express... loved the scene boarding the train!
- [quote]The cullottes and overfrock Marie France Pisier wears in The Other Side Of Midnight as the mistress of the richest man in the world. Everything she wears is sensational...\
She was such a beautiful woman. WEHT her?
- The late Theoni V. Aldredge did NOT design LUCY/MAME, r 39. Perhaps you are thinking of Theodora Van Runkle.....
- Julia Roberts'' red dress in "Pretty Woman"...just FABULOUS!%0D\
Natalie Portman''s black swan make-up...OMG!!
- Diana Ross''s white satin dress in "Lady Sings The Blues" when she performs God Bless The Child.
- I''d have to go with r1.\
Can we also include TV? I thought the Versace mille feuille dress Carrie wore in the Sex and the City finale was extraordinary.
- The black and white suit Jane Birkin wears at the end of ''Evil Under the Sun''. Actually, all of Anthony Powell''s clothes in that film were pretty fab, especially Diana Rigg''s sequin dress with the turban.
- I have to agree also with those posters saying Grace Kelly in Rear Window, or pretty much anything for that matter.\
And, of course everything Hepburn wore from Breakfast at Tiffany''s by Givenchy is iconic. I mean, the hat, the sunglasses, the dress - TO DIE.
- "Diana Ross''s white satin dress in "Lady Sings The Blues" when she performs God Bless The Child."%0D\
And the yellow dress she wears when she decides to quit the whorehouse, leaving poor old Big Ben (Scatman Crouthers) in the lurch. %0D\
- Dunaway in The Thomas Crowne Affair.
- R152, Theodora/Theoni...tomato/tomahto. Who gives a shit? Why do they have such similar names anyway? Very annoying. And Lucy wore the clothes stunningly whoever the hell designed them.
- To see Ginger''s Lady In The dark dress in action:
Suits by Mitchell & Haig
- Those beautiful gowns in Bernardo Bertolucci''s The Conformist designed by Gitt Magrini
- Amazing Bob Mackie gown from Funny Lady%0D\
- "Funny Girl" is on TCM at 5:15 today, gurleenas!
- And Vincente Minelli''s original FATHER OF THE BRIDE is on TCM tomorrow at 6:15 PM! I will be watching especially for Liz''s wedding dress, commented upon above!
- Mary Astor''s finale costume from Meet Me in St. Louis designed by Irene Sharaff....wish I could find a photo to link!
- Gloria Swanson was the original Hollywood clothes horse starting in the Teens and throughout the Twenties, usually directed by Cecil B DeMille in films like Male and Female, Why Change Your Husband? and Madame Sans-Gene. But sadly those films are either lost or their costumes remain uncredited.
- Audrey Hepburn''s Ascot Race outfit in MY FAIR LADY. And her ball gown in MFL
- Everyone''s white dress in the final scene of Meet Me in St. Louis.
- Queen Margot has some gorgeous costumes
- Look! The Winged Victory of Samothrace!
http://www.doctormacro.com/Images/Hepburn, Audrey/Annex/Annex - Hepburn, Audrey (Funny Face)_17.jpg
- Any dress worn by Guy Pearce in PRISCILLA.\
Any dress worn by Cillian Murphy in BREAKFAST IN PLUTO. (Espcially that chiffon number.)\
Wow, how i''d love to look up their dresses!
- I liked some of the outfits worn by Doris Day in a number of her movies. Her costumes in Midnight Lace were classic and her white sheath gown in Pillow Talk was beautiful. And, of course, she had a body to die for so they looked fabulous on her. %0D\
In That Touch of Mink where Cary Grant buys her a traveling wardrobe there is a mink coat with interchangable satin outer shells that I adored. I liked the white shell and the navy blue shells. I always wanted one of those.%0D\
And, of course, her Calamity Jane buckskin "pantsuit" was to die for. LOL!
- I adore the dress Monica Bellucci wore in Matrix Reloaded.
- The dress Jodie Foster wears in Contact after she asks Angela Basset "um, do you know where I can get a really great dresshh?"\
She looked so natural.
- You''ll notice how rarely one of Hollywood''s biggest stars, Judy Garland, is mentioned in this thread.%0D\
Because of her constant weight fluctuations, lack of dependability at wardrobe fittings, general tardiness and absenteeism and impatience with drapers and tailors fussing over her body, she became a difficult mannequin for studio designers. %0D\
And it''s why her most iconic costume, the simple man''s tuxedo jacket became a signature look. It was first used in Mr. Monotony, the number cut from Easter Parade, although a beaded gown was first planned. And then later brought back for Get Happy in Summer Stock, when she returned 25 lbs lighter after her nervous breakdown.
- r176 I posted that I loved the gown that Garland wore in "A Star is Born", in the scene where she accepts winning the Oscar.
- r168 Loved the gown Hepburn wore in MFL at the Ball...
- I loved the wedding gown worn by Connie in The Godfather, timeless beauty
- Susan Hayward (as Helen Lawson)''s gown when she sings the song "Ill Plant My Own Tree" in Valley of the Dolls.
- Audrey Hepburn is gorgeous and a true fashion\
plate. When she died, she left a void that will never be filled.
- [quote]One man owns several of the costumes discussed here.\
I''m guessing that the costumes seen in his revue are reproductions? The originals would be too fragile to be used that way.
- Constance Bennett''s beautiful Hattie Carnegie wardrobe in OUR BETTERS. A forgotten clotheshorse, Bennett looks stunning in the gowns and for a slim little thing fills them out beautifully.
- At Link: The Best Dresses of All Movies%0D\
I don''t agree with the 1st choice.
- I remember as a child being in awe of the gowns that Raquel Welch and Faye Dunaway wore in The Three Musketeers and its sequel. Their cups runneth over.
- Thanks R185, I''d forgotten that movie and it''s fab costumes. Some nice beefcake in it too.
- You have to have a very special kind of figure to carry off a classic Hollywood evening gown and Judy Garland just wasn''t built that way. She was a little Black Irish fireplug. I''m sure she was very aware of this and that this was one of the reasons she didn''t like costume fittings.
- Re The Three Musketeers:%0D\
Raquel was infamous at the time for bringing in her OWN costume designer Ron Talsky (who she was also "dating") and the frocks she wears, though highly flattering, have nothing to do with 17th century France. Ditto her Hollywood diva hairstyle.%0D\
Faye''s gowns are historically somewhat more accurate though she obviously cajoled the wardrobe dept. (and particularly the hair and makeup depts.) to fuck around with the period as well.%0D\
If you''re interested in the true look of the mid-17th century, however, please check out Geraldine Chaplin as the Queen. You''ll find that she was either too faithful to history or too weak to bargain, depending on your point of view.%0D\
The men in this film are gloriously faithful to the period and though somewhat eccentric, the true look really pays off.
- R184: thanks for that link.\
It''s absurd to select Keira''s green gown in ATONEMENT as number 1. It''s a lovely dress, sure, but there would have to be something iconic and instantly recognizable about the actress, the character, the movie, and the moment. Not the case. \
Compare ATONEMENT with the other top 10 choices. The movie (which I found tiresome and hugely overrated) and the actress (Keira''s pretty, but also pretty forgettable) really suffer by comparison with Liza, Cate, Vivien, Nicole, et al.
Sue Mengers'' Stretch Pants
- [quote]I''m guessing that the costumes seen in his revue are reproductions? The originals would be too fragile to be used that way.%0D\
Nope. They''re the actual costumes. Some people find that disrespectful, but they are very well taken care of and he''s got a seamstress that maintains them in wonderful condition.%0D\
Eventually, the majority of them will be going into a museum.
- Katharine Hepburn in "Christopher Strong". It''s wild!
- The costumes were definitely gorgeous in Coppola''s Dracula film, OP. They were designed by a Japanese designer as you know, and she won the Oscar for it.
- While I cannot single out one dress, Doris Day''s wardrobe was pretty memorable in Midnight Lace. Same with Grace Kelly in To Catch a Thief.
- Except that the costumes in that guy''s revue were originally worn by actresses of all different sizes. They could simply not all fit the hag that''s wearing them in that silly video.%0D\
- haven''t read all the responses, but just watched Father of the Bride - how about the glorious bridal gown and the gorgeous Elizabeth Taylor bride!
- Raquel Welch IS Myra Breckenridge....
- I agree R195. The gown and Taylor.. beautiful!
- It is wonderful to see Doris Day mentioned in this thread. She always looked beautiful in her movies. The lady really knew how to wear a dress.%0D\
I can''t believe that nobody has mentioned Miss Faye Dunaway dressed to kill in The Towering Inferno! That dress is legendary on the DL.
- How could anyone not mention "Ziegfeld Girl", with its extravagant 1940s version of 1920s showgirl costumes?%0D\
Here''s Hedy Lamarr dressed up as the Milky Way, Lana Turner wearing stars and a lot less dress, and Judy Garland wearing tinsel from neck to ankles.%0D\
- Helen Rose designed Elizabeth''s gown for The Father of the Bride and ALSO her real life wedding gown that same year when she married Nicky Hilton, 1950. THAT gown looked very close to the "movie" gown.%0D\
Grace Kelly''s wedding gown was also drop dead gorgeous and is another iconic gown, although not from the "movies," per se. It was ALSO designed by Helen Rose.
- When Charlotte Vale transforms herself in "Now Voyager" many of her gowns are absolutely stunning. And the hats! (But that''s another thread.)
- I liked Doris Day in Midnight Lace, R198. I went looking for pictures, but hadn''t posted the link before because I hated the way she was posed. So ungraceful. I also like the white dress she wore dancing in Pillow Talk.
- for some reason when I was a kid I always thought the teal blouse/dark blue skirt dress that Maureen O''Hara wears in "The Parent Trap" was great. %0D\
Looking at the stills from that movie though I think I pretty much like her whole wardrobe. I wonder if she''s pretty much the inspiration for Betty Draper?
- What are you picking on us for any way? We are NOT the ones who got fat. %0D
- [quote]Except that the costumes in that guy''s revue were originally worn by actresses of all different sizes. They could simply not all fit the hag that''s wearing them in that silly video.%0D\
They don''t fit perfectly. Notice in the red sequined "New York" outfit how it doesn''t fit properly around the bust.%0D\
And there is more than one female in the show. %0D\
(No need to be nasty, but then again, this is DL. Is that your mother I hear wanting you to rub her feet? Run along now.)
- LOL!!! R199, Poor Judy!!! She looks ridiculous!! Was this an inadvertent homage to The Tin Man?
- The photo of Judy with Hedy and Lana does make her look ridiculous, but to be fair, in the actual film, isn''t she playing one of many chorus girls in that same outfit, backing up a big number, in which Hedy and Lana are more featured?
So many commas!
- I just saw "All About Eve" this weekend on TV. I''d read Davis'' "fasten your seatbelts" party gown was $80/yard brown English taffeta. Twentieth Century Fox'' workroom hadn''t ordered enough fabric for the customary two copies of the dress. The fitters had gotten the measurements wrong. At the final fitting right before shooting Davis'' gown was way too big. Head flipped out, but Davis played with the dress; the shoulders fell to the sides and the look worked with some pinning and stitching. That''s why she keeps hauling the skirt around through the scene.%0D\
I noticed last night that Baxter''s gown at the end when she finds Phoebe in her apartment has one strap falling down. Was that just the actress showing Eve was exhausted and was letting her shoulders slump, or was it supposed to show she was really a skank? The straps fit in the banquet scene, so it wasn''t a measurement problem.
- The measurements weren''t wrong, they were for another actress.%0D\
Davis'' dress was originally made for Claudette Colbert who had to drop out of filming due to a back injury.%0D\
Davis filled in without time to get the costumes refitted and while the sleeves were supposed to go over the shoulders, they fell, Bette liked them, and the rest is cinematic history.
- Another vote for Kerr''s "King and I" gown
- Judy Garland''s red velvet ballgown from Meet Me In St. Louis was one of the loveliest costumes she ever wore. For once, the gown was properly cut for her figure and she WAS thin at that time, one of her "up" periods since she was falling in love with Vincente Minnelli and saw that he was making her look "pretty" on film for, what SHE thought, was the first time.
- So was Claudette really so much bigger than Bette? That surprises me.%0D\
Now I''m trying to imagine Margo Channing only seen from the left profile.
- I just watched FATHER OF THE BRIDE and Helen Rose really outdid herself with the costumes in this. While Liz''s wedding gown was perfection, I also loved a lot of Joan Bennett''s wardrobe, particularly that outfit and the elegant jewels and feathered hat she wears when they first go to meet the in-laws. There are some close-ups in the car of that hat and it must have been quite something in color/in person. I wonder what color fabric it was? I imagined it a very pale, almost sea-foam green with the large white feather setting it all off fabulously.
- Fashion Week bump!
- It''s not so much that actresses are bigger, but designers create for a specific role and before wardrobes were store bought, they were made on mannequins with the actresses measurements. An inch or two off can make a garment drape completely different.%0D\
Travilla himself makes comment about after Garland left VOD, that Hayward pulled all the padding out of the costumes and wouldn''t let Travilla refit them properly.%0D\
Contrary to popular legend, Garland didn''t steal her wardrobe. Travilla made her copies of a couple of her favorite outfits to lessen the sting of getting fired from the film.
- I know the movie version was awful but Florence Klotz''s costumes for the film version of A LITTLE NIGHT MUSIC are gorgeous, especially Taylor''s. Klotz also designed the original production on Broadway and won the Tony that year for her work.
- Another big difference with today''s films that have contemporary settings:%0D\
The costume designers are mostly just fashion stylists who have connections to couture houses. Without much of a point of view of character development, they bring in racks of clothes to please the star actresses, which is bad enough. Then the director and all the studio bosses tear apart the wardrobe until it is all compromised down to a generic nothing. %0D\
Long-time NY-based and theater-trained designer Ann Roth is one of the exceptions. Working Girl is a prime example of her best work....witty, sexy and memorable character clothes.
- r215 I didn''t know that. I always heard that she TOOK the sequined pantsuit.
- That''s because it''s make for a much better story if Garland stole the clothes, getting back at the studio for letting her go.%0D\
Barbara Parkins perpetuates the myth by repeating it during the commentary on the VOD dvd, and she also states that when Sharon Tate was killed, her baby was ripped from her womb which is another falsehood.%0D\
Out of all the people who "claim" to have received an invitation to visit Tate that night, I wish Parkins had accepted hers.%0D
- [quote]Out of all the people who "claim" to have received an invitation to visit Tate that night, I wish Parkins had accepted hers%0D\
"That would have been imPOSSSHIBLE!"
- Barbara, you''re being Ob-nox-ious.
- HA! R221%0D\
- Less fraus, more frocks, bitches!\
What do we think of this list? I agree that Amy Adams/ENCHANTED and Vanessa Williams/UGLY BETTY are both good choices, but I do not agree with the Amanda S./MAMMA MIA choice or the GREY''S ANATOMY. \
It is interesting to note that they include THE LITTLE MERMAID. What is everyone''s favorite animated dress? Maleficent in SLEEPING BEAUTY has a pretty fabulous ensemble, as does The Witch in SNOW WHITE, I think.
- For ensemble costume, I think it''s hard to beat the embarcation scene in "Murder on the Orient ExpresS". The large cast comes in by ones and twos, and most of our information about their personalities and station in life is told through their clothing. That''s what costume design should really be about - revealing character through purely visual means.%0D\
Sorry, I can''t find the scene on youtube, but the entire movie seems to be available.
- I love this thread.
- I''ve said something about this in another thread but never got an answer. Is there some reason why Hollywood costumers of the bygone era could not get a period hairstyle right? They did not wear the 40''s pompadour in the 1800''s.
- These are period correct.
- It''s not from the movies, but who could forget Carol Burnett''s little thing in from the window.
- Edith Head said in interviews that costumers and designers often researched a historic era thoroughly, only to be told by producers that period costumes and hairstyles were too weird and alienating to audiences of the 40s, 50s, etc. %0D\
So what you saw onscreen was usually a hybrid of accurate period design and contemporary fashion of the era, R227.
- They sometimes got it right, though, r230. Meet Me In St. Louis was accurate for Lucille Bremer, Mary Astor and Marjorie Main''s hairstyles. Big Gibson girl pompadours. The costumes were period correct, even Judy''s red velvet ballgown. Victorian ballgowns could be a bit decollete and show some arm. The only thing that was 40''s was Judy''s "square" bangs on that auburn wig. Heinous.
- [quote]too weird and alienating to audiences of the 40s, 50s, etc. %0D\
That''s really strange but then the 1950''s were a kind of conservative little bubble of time completely insular and xenophobic.
- All of Vincente Minnelli''s films have fabulous costumes, but I think GIGI and AN AMERICAN IN PARIS trump MEET ME IN ST. LOUIS and the Judy movies he did. I love Hermione Gingold''s dresses in GIGI, as well as all of the chic cafe/party scenes with the modern crowd. Liza does wear some gorgeous stuff in A MATTER OF TIME, as well.
- "You''ll notice how rarely one of Hollywood''s biggest stars, Judy Garland, is mentioned in this thread.%0D\
Because of her constant weight fluctuations, lack of dependability at wardrobe fittings, general tardiness and absenteeism and impatience with drapers and tailors fussing over her body, she became a difficult mannequin for studio designers."%0D\
I don''t dispute this in general, but I agree with others who have mentioned Irene Sharaff''s red Christmas Eve gown for her in MEET ME IN ST. LOUIS, which I do think is one of the most fabulous gowns in film. Gorgeous, simple, perfect.%0D
- [quote]Meet Me In St. Louis was accurate for Lucille Bremer, Mary Astor and Marjorie Main''s hairstyles. Big Gibson girl pompadours. The costumes were period correct, even Judy''s red velvet ballgown. \
The colors are all wrong in the clothes they wore--it was to suit Vincente Minnelli''s elaborate color schemes for the movie rather than to reflect reality.\
And Lucille Bremer and Garland are wearing weird hairstyles that aren''t really like the Gibson Girl styles at all--they''re like an ugly compromise between 1940s sausage rolls hairdos and Gibson Girl upsweeps.
- Can you expand more on the colors being wrong, r235? What kind of colors did women really wear in 1903-04?
- They wouldn''t wear colors this bright, like the violet dress at right or the chartreuse of the dress behind Judy Garland. These colors were chosen to emphasize the film''s Technicolor, but they would have been considered garish at the turn of the century.
- Those were whore colors R237.
- You can always count on authentic period hairdos in historical films when the character is meant to be unattractive. %0D\
Perfect examples are Olivia deHavilland in The Heiress, Laura Hope Crews as Aunt Pittypat in Gone with the Wind and Marha Hunt as Greer Garson''s younger bookish sister in Pride and Prejudice.
- Van Smith is spinning in his grave. Gone AND forgotten on Data Lounge, of all places. Tsk.
- I know they didn''t necessarily break any new ground, fashion-wise, but I always loved the dresses in Titanic.
- Has to be one of the many Cecil Beaton creations that Barbra Streisand wore in "On a Clear Day."
- Well, if it''s one of those, r242, the most spectacular is undoubtedly the white turban set with faux-opals and the matching white dress she wears in "Love with All the Trimmings."\
It''s a spectacular outfit, but it looks nothing like Regency dresses (though it is Empire-waisted, and though wealthy women during the Regency did wear turbans). It looks much more like the Pam Am space clipper''s stewardess''s turban and outfit from the year before in _2001: A Space Odyssey_ than anything from the period--though it is spectacular:
- Here''s a better clip with the "Love with All the Trimmings" gown, where you can see it full length. She looks like she''s a visitor from outer space in it...
- And, as a point of comparison, here''s the space stewardess''s outfit from 2001:
- Rita Hayworth in "Gilda"
- Kate''s red dress in "Titanic."%0D\
- The Cecil Beaton gown in R244''s link wins hands down.
- After thinking about it, I think it comes down to Travilla's pleated gold lame gown for Marilyn in "Gentlemen Prefer Blondes." The dress offers the iconic example of what American movies have been - the transformation of dream into reality through movement.
The dress by itself is remarkable, but seeing it on a mannequin means nothing more than a remarkable dress. In the picture shown in the link, and in its brief appearance in the movie (censors deemed it too revealing for more than that), Monroe unites it with her most powerful screen persona seamlessly - the evocation of the heterosexual American man's ideal erotic image perfectly displayed, and laughing back at him in full knowledge and power.
She later wore the dress - its being considered costume dynamite set it up perfectly for the occasion - to the Photoplay Awards, where she won "Fastest Rising Star." This was in 1953. She walked to the podium in the dress in full Marilyn style and pandemonium ensued. Joan Crawford took her to task, as did others, and men howled with pleasure.
- R249...The gold pleated job looks like a hooker or drag queen get-up.\
Tacky as hell.
- I would love to wear barbra''s turban
- R250, yes, but.. Well, let's see....
OK. Troll-dar shows nothing. Well, maybe your attention span simply didn't follow all those tarsome words and, you know, points I used. Or you understood the thread differently than I did. But you're not getting away without being told you're making rather the same argument Joan Crawford did, just so you know the company, and taste, you keep.
As for me, the dress is "most fabulous" - the point of the thread - because it captures Hollywood and movies and gave men erections and gave Marilyn a laugh. All potent arguments. There was nothing campy, or retro, or revisionist, or hip about it. It was made to excite and nail the eye to the screen. The censors were scared of it doing just that.
For personal taste, so many other costumes people noted in this great thread are more pleasing to my aesthetics, if that's my measure. But fabulous takes sizzle, sass and something more than the imitation of that creepy green thing I'm sick of hearing about from "Atonement" hanging off the actress like a mother's weeds from her daughter's corpse.
- ET dress in A Place In The sun.
- Nicely stated, R252.%0D\
I continue to love this, one of the gayest threads ever on DL.
- Do animated characters count? Mother Goethel''s dress on Tangled is definitely one of my recent favorites.
- For R249%0D\
Marilyn worn gold lame from the Travilla Estate Archives on display in Brighton England in 2007. %0D\
What most people don''t realize is that the gown is made cut on the bias from one piece of fabric pleated to hell and back. The only seam is the one in back when they sewed Marilyn into the dress. (A zipper has been added so that it keeps it''s shape on the mannequin.)%0D\
A large amount of boning/wire runs up both sides of the front to keep it''s shape and to prevent MM''s breasts from being exposed.
- Gold lame from the back.%0D\
Still in production, but slated for an October release is a book from Carlton Publishing on Monroe''s costumes designed by Travilla titled "Dressing Marilyn" which will have photographs of all the surviving film costumes he created for her in the eight films they did together with sketches, wardrobe test shots along with bits and pieces about their relationship.
- There was an old movie with Clark Gable about the big San Francisco earthquake. Whoever the love interest''s character was ran a saloon and she had a gorgeous gown with some kind of embroidered leaves and vines on it. Anyone remember what the name of this movie was?
- [quote]In the picture shown in the link, and in its brief appearance in the movie (censors deemed it too revealing for more than that), Monroe unites it with her most powerful screen persona seamlessly - the evocation of the heterosexual American man''s ideal erotic image perfectly displayed, and laughing back at him in full knowledge and power. \
Well, if that doesn''t win the prize for the\
of the week, I don''t know what does.
- R258, you''re reffering to "San Francisco", starring Gable, Spencer Tracy, and Jeanette MacDonald. Terrific film, and the special effects are way ahead of its time. %0D\
This is her biggest gown from the film, which she covered with an amazing white feather cloak. Not exactly accurate to 1906, is it.
- Wow I had no idea JM was so ugly. Hope they paid Gable double to work that thing.
- The costume design in JANE EYRE is stunning: beautifully detailed, well researched, and authentic to the period and the character.
- [quote]The costume design in JANE EYRE is stunning: beautifully detailed, well researched, and authentic to the period and the character.%0D\
I suppose so if you want recreations rather than originals.
- I'm with R139.....Lucy's costumes for Mame were stunners! Notably, the white chiffon she wore while dancing at the fountain with Robert Preston in "Loving You" and the purple affair she wears at the end of the film, when the Upson's visit Beekman Place.
- Totally off topic but the comment at R262's link is mindboggling.
[quote]If they do a movie about elizabeth taylors life kristen stewart should be the actor who potrays her. She got the looks and the "guts" to play her.
- Another vote for the dress that Audrey Hepburn wore to the Ascot Opening Day in My Fair Lady, and her ball gown.
- In case nobody has answered R151, Marie-France Pisier drowned accidentally in her own pool in April of 2011. It was a shocker. She was unforgettably gorgeous, her face similar to Vivien Leigh's in exquisiteness. She was also quintessentially French looking.
- I'm amazed no one has mentioned the taupe dress Carrie Bradshaw wore - and fell asleep in- on her first night in Paris with Alexandre.
- Audrey gown at the Ball in My Fair Lady...
- Barbara Stanwyck's wedding gown in [italic]The Lady Eve[/italic]. Not blatantly sexy or too frilly, but wonderful in its aristocratic sleekness.
- Anthony Powell's Oscar-winning costumes for DEATH ON THE NILE were amazing, especially a backless silver gown worn by Lois Chiles.
- For those of us who aren't quite as movie-oriented, can you please post pics when referring to a dress?
- Not from a film, but the gown that Annie Lennox wore in the Eurythmics's "Don't Ask me Why" video was stunning.
- I read somewhere recently that they found Audrey's ball gown in an antique store and nobody wanted to admit it.
- Claudette Colbert's wedding gown in "It Happened One Night"
- I love those bias cut gowns but no way could most women wear them.
- Grace Kelly wore some fabulous gowns in "The Swan."
- Grace Kelly's entire wardrobe in Rear Window was wonderful. That movie was Grace at her best and those dresses were just sublime. Jimmy Stewart didn't want her cast as he thought she was too sexy for him.
- Lucy's wedding dress was spectacular but I'm thinking something from the 30s or 40s might be more my favorites.
- You have no power here, Miss Paltrow.
- Eva Marie Saint's wardrobe for North By Northwest, Grace Kelly's by Edith Head for her Hitch films, and Tippi in that green suit all show how Hitch liked dressing his ladies and creating wardrobes for them.
Kay Kendall dressed by Balmain in The Reluctant Debutante - with that feather boa! - also Capucine in Balmain in The Pink Panther. Those gals knew how to wear clothes.
Bette's gown for the party scene in Eve is pretty iconic too, and Orry-Kelly's for the 3 girls (Kendall again) in Les Girls, and his dress for Monroe in Some Like It Hot.
Travis Banton's Dietrich dresses in the 30s.
- Has anyone discussed Ginger Rogers's feather dress in the "Cheek to Cheek" number?
Apparently dancing next to it was a nightmare for Fred Astaire, but the thing wafts so beautifully they look like they're dancing in midair!
- And "Ghostbusters" was on last night, and I still love this dress on Sigourney Weaver.
Bumping this ahead of the meltdown
- I'm too lazy to go back and read all the posts in this thread but NOTHING beats the nude-beaded flapper dress that Marilyn Monroe wore to seduce Tony Curtis in Some Like It Hot.
So utterly daring for 1959 and, if I may say, even still shocking today.
Thank you, Orry-Kelly!
I'll never understand why that dress never became as iconic as the pink Diamonds Are a Girl's Best Friend dress or the 7 Year Itch subway grate dress. Maybe because it was not shot in color?
sorry, I should provide a link!
- Audrey Hepburn's in My Fair Lady for the ball, and her long black dress in Breakfast at Tiffany's.
Judy Garland's for the Christmas Dance in Meet Me in St. Louis
- Any gown or dress worn by Miss Cillian Murphy.
- Let's get contemporary. Trash film but amazing gowns: Mirror, Mirror. Julia Roberts and chick who plays Snow White.
- If you want to talk contemporary film, Anna Karenina with Keira Knightley will win the Oscar for Best Costumes.
- I love the second wedding dress Claudette Colbert wears at the very end of "The Philadelphia Story." So glamorous.
- You mean "The Palm Beach Story," don't you, R291?
- Carrie Bradshaw's gown that she wore her first night in Paris waiting for Alexandre - she fell asleep in it.
- Jessica Lange in King Kong
Costune Design by Anthea Sylbert
- I liked Scarlett's caught in the act red dress that Rhett makes her wear to Ashley's birthday party.
- Melanie Griffith's "bod for sin" dress in Working Girl
- I am sorry to intrude, but do any of you fashion-conscious denizens of DL know the name of the man who was featured in Bill Cunningham's slide show in yesterday's (Sunday's) New York Times? There were about six photos of him across from Bergdorf Goodman in various suits and jackets, some with scarf and gloves. Very attractive.
- Bumping a beloved thread.
The B&W photo doesn't do it justice, but Angelica Huston's fitted, full-length black gown in PRIZZI'S HONOR affected me quite deeply as a gayling. The sash was shocking Schiaperelli hot pink.
- That photo really captures what makes Anjelica such a striking presence.
- Check it out, DL fashionistas!
Though I find the disembodied trousers.... disconcerting.
- Has anyone posted this yet?
- For you design queens, a look at ANNA KARENINA design on screen. Pretty good blog, too.
- Thanks, R188 -- Yvonne Blake's designs were brilliant, particularly the outfit Milady is wearing when she plans to kill the Duke of Buckingham.
I also like the black dresses worn by Diana Rigg and Anabella Incontrera in "The Assasination Bureau" and Sophia Loren's mourning get up in "El Cid". Claudia Cardinale's ball gown in "The Leopard" is also magnificent.
And, R36, I love that one as well.
- Here's the only pic I could find of Patty's "it's a WIG!" dress.
- R138 "The cullottes and overfrock Marie France Pisier wears in The Other Side Of Midnight as the mistress of the richest man in the world. Everything she wears is sensational..."
Oh did I LOVE that movie and totally agree. RIP Marie France.
- I checked and the costumes for The Other Side Of Midnight were by
Irene Sharaff. Amazing talent. Her Nicholas and Alexandra gowns are unforgettable.\t
- Maybe I'm a redneck, but I have never understood why men who are not sexually attracted to women, and who are not cross dressers themselves, can be so obsessed with womens' clothing like this?
- Sometimes all you need is the right HAT.
Especially one by Phillip Treacy...
- Well it's on film. And it's all about panache. Another fabulous Annie Lennox getup...
- [quote]Maybe I'm a redneck, but I have never understood why men who are not sexually attracted to women, and who are not cross dressers themselves, can be so obsessed with womens' clothing like this?
It's not the clothing per se. It's what remains. The moment. The mood. The memory of the line of beauty.
- And also because, right now Western culture, men are given so few opportunities to express panache, which is something very different from style.
- does anyone know where i can find a photo of the dress jodi foster wore in contact..it was beautiful with the long satin coat...help
- Pfft, R19! That thing only sold for $800,000 at auction in 2006. Marilyn's pleated ivory halter top from SEVEN YEAR ITCH fetched a cool $5.6 million.
- Faye Dunaway's plunging halter dress in "The Towering Inferno." Rrrrrrarrrr.
- I was thinking Swoozy Kurtz wore the yellow gown in Dangerous Liaisons.
There were some beautiful gowns from the past but I can't remember, who wore what.
- Maybe you're just an idiot, R107.
- Maggie's white slip dress in "Cat On a Hot Tin Roof".
Faye Dunaway's grecian style dress in "Towering Inferno".
Sigourney Weaver's flowy, red "Zuul" dress from Ghostbusters.
- Jesus Christ, R316. That was a reply from 2 years ago. You're the idiot, really.
- THE BEST DRESS IN THE ENTIRE WORLD IS THE ONE AUDREY HEPBURN WORE IN THE EMBASSY BALL SCENE, IN MY FAIR LADY!! I AM TRYING TO FIND SOMEONE WHO WILL MAKE ME AN EXACT COPY OF THAT DRESS. I AM ALSO LOOKING FOR THE OWNER OF THE DRESS, I BELIEVE SOMEONE MAY NOT EVEN KNOW THAT THEY HAVE IT, BECAUSE I HAVE BEEN LOOKING FOR YEARS.
- Carrie Bradshaw's dusty colored dress would have worked better in ANY other color. Hepburn's "Sabrina" big party embroidered dress is right up there at the top, if not the de facto winner, of this thread. I believe you have to hand it to MM though, for her white pleated haltertop in "The Seven Year Itch." It defines the character, Marilyn herself, and it's been one of the most-mentioned creations. I think if it were put into a "lineup" with several of the other contenders here, it would win hands down. At least from het guys.
- I've always gotten a kick out of Kate Hepburn's dress from Bringing up Baby with the weird headress thingie.
- Glinda the good witch in Wizard of Oz.
Beat me to it r322! Did you know that Adrian designed a unique costume for each of the Munchkins?
BTW--this HAS to be the gayest thread
- Any dress worn by the ultra feminine beauty, Miss Cillian Murphy, is automatically the most fabulous in film.
- You're all wrong. It is this one.
- How soon you bitches forget.
- Harlow in Adrian.
- **The Golden Compass** / **Dracula**
Nicole Kidman's costumes in TGC are spectacular, especially the golden overlay gown she wore in the 'Council' dinner scene; and the exquisite costumes in FFC's Dracula.
- Kate Winslet's outfit with big hat while board the Titanic.
- Here's the outfit R328 was referring to, in "The Golden Compass".
It's not a great picture, but it's the only full-body shot I could find in 30 seconds of googling.
- Grace Kelly -Rear Window
Audrey - My Fair Lady
Marilyn -Seven Year Itch
- The red dresses that Sister, Delores and Sparkle wear in the original "Sparkle."
Or the stage performance with Tisha Campbell in "School Daze" with Jasmine Guy.